



Channels Audio Mixer
Product information:
Plug: usb
Model: A6
Colour: Black
Material: Metal + ABS
Single product packaging: 27.3*8.2*26CM/ gross weight: 1.15/KG
Carton size: 42.5*28*54*CM/Gross weight: 12.5/KG
Parameter:
Frequency response: 0.05%dB/-2.0dB (20Hz to 20kHz), refer to the rated output level @1kHz, GAIN knob: medium
Total harmonic distortion (THD+N): 0.02%@+10dBu (20Hz to 20kHz), GAIN knob: medium
Noise (20Hz to 20kHz): Residual output noise, -85dBu (STEREO OUT, STEREO LEVE), GAIN knob: small
Crosstalk (1kHz)*2: -83dB
Input/output impedance:
Microphone input: 3kΩ, line input: 10kΩ
Output: 150Ω (balanced) 75Ω (unbalanced)
AES digital signal input and output: 110Ω
Input channels: MIC*4, 2REC, PC, 2LINE, USB, BT, 3.5MINI
Output channel: STEREO OUT: 2, PHONES:1, 3.5MINI MAIN PH OUT:1, 2.GROUP PH:1.3.5MINI LOOP BACK output: 2.REC
Bus: Stereo: 1, GROUP:1.
Input channel function:
HPF(Mono)80Hz,12dB/octave (CH3,4) EQ HIGH
Gain: +15dB/-15dB frequency: 10kHz ramp frequency: EQ LOW
Gain: +15dB/-15dB Frequency: 100kHz Ramp frequency: PEAK LED When the signal after EQ reaches 3dB below the distortion, the LED lights up
LED indication: MAIN STEREO LEVEL knob, the green light is on when the MAIN LEVEL signal reaches -10dB, and the red light is on when the
signal reaches 3dB below the distortion
Input and output level: MIC (-60dB) LINE OUTPUT (-40dB) MAX OUT (+12dB)
USB audio: 2IN/2OUT USB audio 2.0 compatible, decoding rate: 48.1kHz, Bit depth: 24-bit
Effect category: independent volume adjustment effect: true digital effect processing
Phantom power supply voltage: support large-diaphragm condenser microphone
Voltage adapter: DC 5V/2.0A standard
24 types of DSP:
1. Simulate reverberation in small spaces such as concert halls
2. Simulate the reverberation of the acoustic environment of a small space (auditorium)
3. Simulate the reverberation of large spaces such as theaters
4. Echo of the Valley
Electronic synthesis sound
5. Electronic Mix (A flat major)
6. Electronic Mix (A major)
7. Electronic Mix (B-flat major)
8. Electronic Mix (B major)
9. Electronic Mix (C major)
10. Electronic Mix (D-flat major)
11. Electronic Mix (D major)
12. Electronic Mix (E-flat major)
13. Electronic Mix (E major)
14. Electronic Mix (F major)
15. Electronic Mix (G flat major)
16. Electronic Mix (G major)
17. Electronic mixing (semitone scale)
Synthetic sound effects
18. Female Voice
19. Uncle Tone Flanger
20. Children's Voice
21. Childish Echo
22. Magic sound (male)
23. Magic Sound Echo (Male)
24. Original sound
Size Information

Packing list: 6-channel mixer



Channels Audio Mixer – Precision Control for Professional Sound Mixing
Perfect for Musicians, DJs, Podcasters, Audio Technicians, and Live‑Sound Enthusiasts
A channels audio mixer is an indispensable tool for anyone working with multiple audio sources — whether in live performances, studio recordings, broadcast setups, podcasts, or events. Designed to combine, balance, and control multiple input signals, a channels audio mixer gives you hands‑on authority over volume, equalisation (EQ), effects, and output routing. Ideal for bands, DJs, content creators, sound engineers, and house‑of‑worship tech teams, this mixer enhances clarity, flexibility, and overall audio quality across diverse applications.
At its core, a channels audio mixer enables you to manage multiple microphone, instrument, and line‑level inputs simultaneously. Each channel offers individual control over gain, EQ, pan, and auxiliary sends, allowing precise shaping of your audio mix. With built‑in features like low‑noise preamps, FX engines, and output buses, a channels mixer ensures professional‑grade performance in live and studio environments alike.
Description – Channels Audio Mixer
A channels audio mixer (often called a mixing console or soundboard) is a device that accepts multiple audio inputs and provides tools to adjust, blend, and route them into one or more outputs. Each channel typically includes a preamplifier (preamp), gain control, EQ (high, mid, low), pan/balance, mute/solo functions, and a fader or rotary control. Higher‑end mixers may also offer built‑in effects (reverb, delay, chorus), compression/limiting, aux sends for monitor mixes, and digital connectivity.
Channels mixers range from compact 4‑channel units for small setups to large‑format consoles with 16, 24, or more channels for full band rigs, live festivals, or complex recording environments. Inputs may include XLR mic inputs, TRS/TS line inputs, and sometimes hi‑Z instrument inputs, giving you flexibility to connect microphones, instruments, synthesizers, keyboards, and playback devices.
Digital and analogue formats are both common:
-
Analogue mixers offer tactile control and immediate feedback — ideal for live performances and straightforward setups.
-
Digital mixers provide recallable settings, onboard effects, visual metering, and integration with software for recording
and live streaming.
Proper gain staging, EQ, and aux routing allow you to sculpt each channel’s sound and control monitor mixes, main outputs, and subgroups. Whether you’re mixing a live band, podcast panel, theatrical performance, or studio session, a channels audio mixer is the central hub that shapes your audio environment.
Key Points
Multi‑Channel Inputs
Allows connection of multiple microphones, instruments, and line‑level sources — from small 4‑channel units to large 24+ channel mixers.
Individual Channel Control
Each channel features dedicated gain, EQ, pan, mute/solo, and level controls for precise sound shaping.
Quality Preamps
Built‑in preamplifiers boost microphone signals with low noise and high clarity — essential for vocals and acoustic instruments.
EQ and Tone Shaping
Channels include high/mid/low (and sometimes parametric) EQ sections to fine‑tune the tonal character of each input.
Auxiliary Sends
Enable monitor mixes or effects sends, giving performers and engineers control over hears mixes or FX routing.
Flexible Outputs
Main outputs, subgroup buses, and direct outs support routing to PA systems, recorders, amplifiers, and broadcast feeds.
Effects and Dynamics (Optional)
Many mixers include on‑board effects (reverb, delay) and dynamics processing (compression/limiting), reducing dependency on external processors.
Analogue and Digital Options
Analogue mixers offer hands‑on control; digital mixers add scene recall, visual UX, onboard processing, and software integration.
Benefits
Improved Audio Control
A channels audio mixer lets you balance levels, sculpt tone, and manage multiple sources with precision — essential for professional‑sounding mixes.
Versatile Connectivity
With a mix of mic, line, and instrument inputs, you can connect a wide range of sources — from vocal mics to keyboards, guitars, and media players.
Enhanced Live Performance
In live sound setups, mixers allow you to deliver balanced front‑of‑house sound and personalised monitor mixes for performers.
Recording Flexibility
Mixers act as a central hub for studio recordings, allowing direct input control and routing to interfaces or multi‑track recorders.
Integrated Effects
Onboard FX provide creative sound shaping without the need for external processors, simplifying setup and reducing cable complexity.
Improved Sound Quality
Quality preamps and EQ contribute to cleaner, clearer audio — important for critical listening in both live and studio environments.
Custom Monitor Mixes
Aux sends let musicians hear themselves or other parts of the mix in earphones or stage monitors, enhancing performance confidence.
Scalable for Any Setup
Whether you’re running a small podcast rig or a multi‑stage festival, mixers scale with your needs and grow with your system.
Why Choose This Channels Audio Mixer?
When you choose this channels audio mixer, you’re selecting a professional‑grade solution balanced for performance, flexibility, and usability. Its layout offers clear separation of channel controls, making it intuitive to adjust gain, EQ, pan, and auxiliary sends on the fly. This is essential whether you’re shaping a live set in real time or capturing multiple sources in a recording session.
Built‑in preamps ensure that microphones and instruments sound natural and full, with minimal noise and maximum clarity. The inclusion of EQ and effects provides immediate tonal control and creative options without needing external hardware. If you choose a digital variant, scene recall and onboard processing add workflow efficiency and integration with DAWs or streaming software.
Durability and rugged construction mean this mixer is suitable for frequent transport, live gigs, rehearsal spaces, studios, and broadcast environments. Whether you’re a seasoned engineer or an enthusiastic beginner, the blend of intuitive design, connectivity, and processing features makes this mixer a reliable centrepiece of your audio setup.
Conclusion
A channels audio mixer is a foundational tool for anyone who needs to blend, control, and fine‑tune multiple audio sources. From live performances to studio recordings and broadcast applications, this mixer gives you the power to manage levels, shape tone, apply effects, and route audio with precision.
With multiple channels, quality preamps, EQ controls, auxiliary sends, and flexible output options, it supports a wide range of setups — from small venues and home studios to professional sound reinforcement systems. Whether analogue or digital, the right mixer enhances sound quality, simplifies workflow, and provides creative control over every aspect of your audio.
For musicians, podcasters, content creators, audio technicians, and event organisers, a channels audio mixer is essential gear that transforms disparate audio sources into cohesive, polished sound — making every performance or recording sound its best.
The product may be provided by a different brand of comparable quality.
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